AARON EMILE W. OSBORN
I primarily approach the arts as a pathway to explore and understand the environment and strategy for processing emotions. Materially, this is expressed as small groupings of work that (in varying degrees) interweave photography, 3D imaging, text, and illustration — a triangulation of mediums that can help home-in on an idea. Some of this work speculates on and represents invisible processes and ethereal forms (in the vein of psi phenomena) and aims to materialize “alternate worlds” that may be layered over our own. This can be viewed as a pilgrimage to the mind of ancient man, where secret powers live, dead men walk, and idiocy is forged. Other projects are geared toward the “human condition” and struggle against anxiety, alienation, loss, or other emotions. This is, in part, an exercise to gain spiritual freedom from that which tries to dissolve our words, degrade our worth, and flatten our minds.
OTHER PROJECTS
Macro photography: AEWOS.com
AARON EMILE W. OSBORN
I primarily approach the arts as a pathway to explore and understand the environment and strategy for processing emotions. Materially, this is expressed as small groupings of work that (in varying degrees) interweave photography, 3D imaging, text, and illustration — a triangulation of mediums that can help home-in on an idea. Some of this work speculates on and represents invisible processes and ethereal forms (in the vein of psi phenomena) and aims to materialize “alternate worlds” that may be layered over our own. This can be viewed as a pilgrimage to the mind of ancient man, where secret powers live, dead men walk, and idiocy is forged. Other projects are geared toward the “human condition” and struggle against anxiety, alienation, loss, or other emotions. This is, in part, an exercise to gain spiritual freedom from that which tries to dissolve our words, degrade our worth, and flatten our minds.
OTHER PROJECTS
Macro photography: AEWOS.com